Artplaner offers original works for sale from emerging and established artists worldwide.
Untamed, No. 3388
Printmaking, Linocut
30 x 29.7 cm
2026
220,95 €❊
Highland Harmony, No. 3387
Printmaking, Linocut
30 x 30 cm
2026
220,95 €❊
Leaves of Winter Aconites (Eranthis hyemalis), No. 2777
Printmaking, Monotype
24 x 24 x 0.1 cm
2022
100,00 €❊
Leaf of a Lady Fern (Athyrium filix-femina), No. 2776
Printmaking, Monotype
14.5 x 14.5 x 0.1 cm
2022
60,00 €❊
Leaf of a Norway Maple (Acer platanoides), No. 2774
Printmaking, Monotype
14.7 x 14.7 x 0.1 cm
2022
60,00 €❊
Snowdrops, No. 2578
Printmaking, Linocut
20 x 20 cm
2026
131,38 €❊
Dancing Daisies, No. 2577
Printmaking, Linocut
20 x 20 cm
2026
131,38 €❊
Weathered Wisdom, No. 1944
Printmaking, Linocut
53.5 x 38 x 0.1 cm
2025
300,00 €❊
The Congregation, No. 1942
Printmaking, Linocut
38 x 48 x 0.1 cm
2023
300,00 €❊
Radient Energy, No. 1935
Printmaking, Linocut
38 x 48 x 0.1 cm
2025
230,00 €❊
Mimicry, No. 1932
Printmaking, Silkscreen
38 x 38 cm
2022
200,00 €❊
Up hill and down dale, No. 1871
Printmaking, Linocut
30 x 56 x 0.2 cm
2021
from 120,00 €❊

Originals in this selection, Impressionism, under 500 euro.

Formats from 14.5 x 14.5 to 50 x 70 cm.

How print turns soft

Impressionism in printmaking means atmosphere instead of contour: water, light, and air arise from soft marks set side by side. Impressionist sheets for sale under 500 euro are for you if you want mood that does not push itself.

Soft transitions demand special processes: monotypes, aquatint, linocuts with progressively carved plates. All work with layering, so tones settle on one another like haze. The paper often remains visible as light. Charcoal and ink can also produce this softness when smudged with a finger.

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Hanging with ease

Impressionist sheets like distance and friendly, not glaring, lighting. They work in dining rooms, bedrooms, anywhere you linger. A light wooden frame suits the mild tones. Keep your distance before deciding: up close such sheets often seem modest, from afar they convince.

Starting with purpose

The process shapes the effect: monotypes are spontaneous, linocuts more decisive, charcoal more muted. Check each time whether you are looking at one-offs or numbered editions. Ask about paper type and edition, especially for soft gradients that suffer more easily on delicate paper.