Oswald is a ceramic figure situated between animality and introspection. Its low, grounded stance suggests weight and stability, while the elongated head and focused eye convey alertness and attentiveness. The figure appears paused in a moment of awareness—neither advancing nor retreating.
The surface is layered with dark, fluid glazes interrupted by muted earthy and yellow tones, revealing traces of movement, touch, and time. These material variations emphasize the sculpture’s physical presence and its relationship to the making process.
Oswald does not represent a specific creature or narrative. Instead, it embodies a state of being—watchful, present, and quietly responsive. The figure occupies an ambiguous space where instinct meets reflection, allowing the boundary between the familiar and the imagined to remain intentionally unresolved.
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